In The Fog (2012)

In The Fog (2012)
Directed by: Sergei Loznitsa
Country: Russia / others

Review: Sergei Loznitsa’s sophomore film “In The Fog” presents the same approach of “My Joy”, evincing the same depressive mood, the same desolated scenarios, cold interactions among the characters, and a strong psychological component, but without being so invigorating and opting for a dragging pace that leads to a difficult watching. Set in 1942, it tells the grim story of Sheshenya, an innocent Byelorussian rail worker, who was the only one to be freed by the Germans after being captured along with other three soviet partisans accused of derail a German train. This inexplicable fact made the partisans conclude that Sheshenya was a traitor. One day, without surprise, two partisans arrived to his place and took him to a forest to punish him with death, but along the way the plans were changed. Adapted from a short novel by Vasili Bykov, “In The Fog” presents an intriguing structure, reconstructing these men’s past in order to help us understand what was behind their actions. Even overlong and emotionally cold, its cinematography and non-moralistic story of despair, stick in our head and refuse to abandon us completely, which proves the strength of the tale. But when I think in its lack of pace, weighted delays, and excess of meticulousness, I see some limitations that could be easily avoided by shortening some long static shots and perhaps reduce the same grave silence used on every scene.

White Tiger (2012)

White Tiger (2012)
Directed by: Karen Shakhnazarov
Country: Russia

Review: Based on Ilya Boyashov’s fictional novel “Tankman”, “White Tiger” is an eerie tale that mixes war and supernatural to portray the improbable story of one of the best Russian tank drivers of WWII. During an operation against the Germans, this tank driver got burned in 90% of his body when he was hit by a mysterious tank known as White Tiger. Practically given up for dead, he has a miraculous recovery in a few weeks, revealing a strange sixth sense that will help him to accomplish his mission of destroying White Tiger and avenge his own fate. Having lost his memory, he was renamed Naydenov and promptly reattached to military service. As a ghost, only him could see White Tiger, which according to his words was an indestructible tank commanded by dead. After these spooky revelations, the hunt begins, painted in beautiful colors and alluring visuals of destruction and claustrophobia. The film showed nerve in the way that made the absurdity of the story seem naturally serious. The performance by Aleksey Vertkov was convincing, while the music of Richard Wagner enhanced the tense moments. Even using a minimal story and a few details in the plot that were hard to swallow, “White Tiger” spread some freshness with its exquisite taste, hypnotic war scenes, and final mention of an abominable philosophy described by the Reich himself. An absurdly original piece of cinema.

Twilight Portrait (2012)

Twilight Portrait (2012)
Directed by: Angelina Nikonova
Country: Russia

Review: Angelina Nikonova’s directorial debut is a bleak portrait of a decadent Russia and also a curious character study. The approach in "Twilight Portrait" is raw, with intense and realistic scenes. It was a shame that some details hampered its chances of being more effective. I think the movie would have caused much more impact without the first scene, which serves as a warning for what will come next, losing the surprise factor. Marina, the main character, was brutally raped. Yet, the fact that she had been working with abused children, seemed too calculated by the screenwriters. Despite of these considerations, Marina’s baffling behavior kept me interested till the end, in a film that didn't spare an amoral Russia, where the lack of professionalism, bureaucracy, coldness and violence, are too evident issues to be ignored.

Fortress Of War (2010)

Directed by: Aleksandr Kott
Country: Russia

Plot: A war drama set during the Nazi invasion of the Soviet Union in June 1941, in which Russian troops held on to a border stronghold for nine days.
Review: Beautifully shot, “Fortress of War” is based on the real events happened in Brest Fortress, Belarus, before and after the invasion of the German troops in 1941. The peaceful scenario of the beginning soon changes to an authentic human slaughter. The violence is frequently too explicit - gunshots, explosions and dismembered people are everywhere throughout the film. For over two hours we can have an intense but also tiresome experience, testifying a real example of Russian patriotism and resistance. Recommended, for ones who have stomach for heavy content.
Relevant awards: -

Faust (2011)

Directed by: Aleksandr Sokurov
Country: Russia

Plot: A version of the German legend in which a man sells his soul to the devil in exchange of knowledge.
Quick comment: Master direction from Sokurov in this loose and controversial, though captivating, adaptation of Goethe's literary work. Every frame is like a painting made with brush strokes of grotesque and profanity. As in most of his movies, the adopted style and mood are not easy to assimilate at once, whereas its creative approach has something to say in a time where fresh new ideas are very welcomed.
Relevant Awards: Golden Lion at Venice Film Festival, Italy.

Elena (2011)

Directed by: Andrei Zvyagintsev
Country: Russia

Plot: Elena and Vladimir are an older couple, they come from different backgrounds. Vladimir is a wealthy man, while Elena comes from a modest milieu and is a docile wife...
Quick comment: A relentlessly cold movie where nothing is given too quick or too slow. The perfect balance was found by Zvyagintsev to get our best attention in this realistic and shocking story. By using interesting subjects and having a fantastic sense of filmmaking (also evident in “the return” and “the banishment”) this is another gem of european modern cinema.
Relevant Awards: Un certain regard jury prize at Cannes Film Festival, France; best film at Ghent Film Festival, Belgium.


Silent Souls (2009)

Realizado por: Aleksei Fedorchenko
País: Rússia

Um homem parte numa viagem de carro com um amigo, levando o corpo da sua mulher com o objectivo de o cremar junto ao rio, numa cidade distante, onde guarda felizes recordações da sua lua-de-mel. Estes homens pertencem à tribo merjan, uma das etnias russas mais antigas, e apenas obedecem a um ritual funerário que é a tradição do seu povo quase extinto. Para eles, o rio é o destino de todos os mortos e a água que este contém é o juiz de cada alma que lá entra. Um filme sobre a morte e sobre uma cultura perdida, nostálgico, cinzento, mas bastante profundo. Vencedor de 4 prémios no Festival de Veneza.

How I Ended This Summer (2010)

Realizado por: Alexei Popogrebsky
País: Russia
Uma boa ideia nem sempre consegue ter a consistência necessária para originar um bom filme. Depois da história começar a interessar, torna-se subitamente uma decepção, na sua parte final. Dois homens trabalham numa estação meteorológica, completamente isolados numa ilha do Árctico. Sergei é um homem duro e veterano, enquanto Pavel é inexperiente. Quando este ultimo recebe via rádio, uma mensagem que dá conta da morte da familia de Sergei, esconde-a do companheiro. Quando resolve dar a noticia, entra em pânico com a reacção de Sergei e parte para uma fuga desenfreada. Visualmente bem conseguido, cai na parte final pelo "vazio" do seu argumento.