Personal Tailor (2013)

Personal Tailor (2013) - Movie Review
Directed by: Xiaogang Feng
Country: China

Movie Review: Abandoning for now commercial big productions (“Aftershock”, “Back to 1942”), Chinese helmer Xiaogang Feng embarks in a modest, yet witty comedy that makes diverse social-political considerations about the actual Chinese regime, its big leaders, art and artists, wealthy aristocrats, and environmental issues. Written by Shuo Wang, who already had collaborated with Feng in “If You Are the One 2”, the story is centered in a company called ‘Personal Tailor’, dedicated to selling impossible dreams to their eccentric clients. Presented with farcical tones and counting with poignant, half-true-half-parody jokes, the episodic adventures start hilariously when the company enacts the capture and torture of a woman by the Nazi regime, moving afterwards to an incorruptible chauffer who eagerly whishes to be one of the big leaders of China (what a great laugh he puts!), but occasionally suffering crisis every time he becomes aware of reality. We can also follow a tasteless filmmaker struggling to create something art-house but eventually becoming victim of high-culture shock, and a money-fanatic woman whose bigger pleasure consists in pay exorbitant prices for whatever. This satire ends with a nostalgic touch, apologizing to nature and everyone else for the damages done in our planet. “Personal Tailor” exhibits a few good thoughts within the addressed topics, biting more through its cynical posture rather than its fluctuating execution.

A Touch of Sin (2013)

A Touch of Sin (2013) - Movie Review
Directed by: Jia Zhangke
Country: China

Movie Review: Being an admirer of Jia Zhangke’s past works, I must say that “A Touch of Sin” was beyond my expectations. It was less contemplative comparing to the rest of his movies, bringing action scenes to the screen with determination and vigor, to denounce political and social injustices in modern-day China, always with industrial landscapes in the background and a phantasmagoric desolation that remains in our memory. The film is divided in four acts, along different Chinese regions, each of them being a story of despair, loneliness, and revenge (made explicitly violent). The first story follows Dahai who was the only one to defy the atmosphere of fear lived in the mine where he was working in, when he decided to accuse his former schoolmate, and now rich mine owner, of fraud. The second act follows a motorcyclist who briefly appears in the first story, returning home to his wife and son but unable to comply with the rules of society, becoming another renegade, condemned to be an eternal traveler and fugitive. The third act tells the story of a woman struggling to have a stable life with the married man she loves, refusing to act as a prostitute in the spa where she works. The last story showcases family exploitation and the end of a love dream for a young worker of a textile factory. Zhangke’s cinematic rigor, narrative sense, and firmness, allied to the amazing performances and plot’s significance, make “A touch of sin” an unmissable eye-opening drama that deserves a good reflection.

Young Detective Dee: Rise of the Sea Dragon (2013)

Young Detective Dee: Rise of the Sea Dragon (2013) - Movie Review
Directed by: Tsui Hark
Country: China

Movie Review: Tsui Hark’s new film, featuring detective Dee Renjie and his first mystery case, is another magnanimous production that revealed to be a major disappointment when compared to the engrossing “Detective Dee: Mystery of the Phantom Flame”, both in visuals and screenwriting. Obviously I was expecting something colorful, sensationalist, and cartoonish, but this time Hark’s overconfidence ruined everything by leaving substance behind, in what we can call a gaudy fantasy stuffed with digital manipulations, overdone fight choreography, and supernatural enigmas. Probably Korean “The Host” served as inspiration for its boring scenes, since the shrewd detective, performed by Mark Chao, involves himself in a battle against a gigantic sea dragon in order to solve a mysterious conspiracy against Imperial kingdom. Sadly, there’s nothing new or smart in this plot and the beautiful, enchanting atmosphere noticeable in the mentioned sequel from 2010, vanished completely here. I got bored even before its first half, so I don’t have to explain how interminable the film seemed to me. “Young Detective Dee” was too overcooked and action-packed in a fastidious way, becoming instantly forgettable. I guess it will only be suitable for those who are not demanding with what they chose to watch as entertainment, or are looking for some impact through its bumbling images.

Mystery (2012)

Mystery (2012) - Movie Review
Directed by: Lou Ye
Country: China / France

Movie Review: “Mystery” is a Chinese dramatic thriller directed by Lou Ye whose past work is synonym of undeniable quality (“Suzhou River” and “Summer Palace”). Lately, he seems a bit lost in secondary dramas such were the cases of “Love and Bruises” and now this messy “Mystery”, where a dark love triangle ends up in murder. The film starts with a woman being run over by a car when she was already in a deplorable state. This woman was seen getting out of a hotel with Yongzhao, a married man and attentive father who, in parallel, supports a second family composed by his mistress and son. If the story started with some potential and nerve, it lost quickly its initial strength with unbalanced scenes and an overcooked plot that also involves the policeman who is in charge of the case and the ex-boyfriend of the deceased girl. In some moments, the shaky camera was adequate, giving a sensation of disorientation, but in others, its use was completely unnecessary and even annoying. An acceptable balance was never achieved and I can point some scenes that made my interest collapse along the way - a violent rape as punishment ends up in an overemotional situation, just like the raging murder of a homeless beggar. Moreover, every time an intense rain and threatening sky were present, was a sign that a crime would be committed. Erratic and unsatisfying, “Mystery” can be skipped without regrets.

Blind Detective (2013)

Blind Detective (2013) - Movie Review
Directed by: Johnnie To
Country: Hong Kong / China

Movie Review: If some weeks ago I have said that “Drug War” was one of the best films by Hong Kong filmmaker Johnnie To, now I have to say that “Blind Detective” is one of his worst. With a proven track in the action-crime genre, Johnnie To tries to add some humor into this distasteful plot and the result becomes too childish to impress. The film stars Andy Lau as the blind detective, Johnston, and Sammi Cheng as Ho Ka Tung, an attractive female inspector who becomes his partner in a special investigation case. Both actors had worked together for several times, including other rom-coms from this same director. During its overlong and mind-numbing 129 minutes, the film failed to be eccentric or funny, and the screenplay by the long-time collaborator Wai Kai-Fai (“Drug War”, “Mad Detective”) left much to be desired. The unintelligent humor never caught me, the dialogues were tiresome and almost unbearable, the attempts to create tension were never exciting enough, and finally as romance the film fell in the ridicule of stereotyped moves. I would be much happier if Johnnie To remained faithful to the underworld crime thrillers, which are what he knows to do best, instead of wasting time with these hollow experiences. “Blind Detective” became the biggest disappointment of the year so far.

Ip Man: The Final Fight (2013)

Ip Man: The Final Fight (2013) - Movie Review
Directed by: Herman Yau
Country: Hong Kong / China

Movie Review: Wing Chun grandmaster Ip Man was the subject of several films since 2008, going from illustrious unknown to appreciated martial-artist. His later life was depicted once again by the hand of Herman Yau, who already has directed “The Legend Is Born” in 2010, and the results are not so stylish and sumptuous as in Wong Kar Wai’s “The Grandmaster”, or entertaining as Wilson Yip’s “Ip Man”. Similar to those traditional martial-arts flicks in which multiple fights happen in the streets at the same time, “Ip Man: The Final Fight” seemed to have been prepared to look nice in its vivid colors but forgetting to tell this man’s story in a more captivating way. I was looking for something more vibrant and not so dramatic, a tendency that threw away any possibility of success. The cinematography was capable, while the soundtrack by Mark Chun-hung, alternating between sentimental and rambunctious, just intensifies everything that appears on the screen. The best aspect in the film is undoubtedly Anthony Wong’s performance, which despite not so charismatic as Tony Leung’s in “The Grandmaster”, was convincing and powerful. Some historical aspects concerning the political situation of Hong Kong at that time were not even mentioned, and as the title suggests, the most exciting moments were reserved for the final fight. In the end I had the impression that this wobbling portrait could have been done differently, for better, both in accuracy and spectacularity.

Drug War (2012)

Drug War (2012)
Directed by: Johnnie To
Country: China / Hong Kong

Review: Hong Kong helmer Johnnie To, returns in great shape to his favorite action-crime-thriller genre, putting in confrontation astute drug dealers and relentless cops. This ride to the underworld of narcotics supply and distribution is often hilarious and suspenseful, covering a mega operation carried out by Captain Zhang (Honglei Sun) and his anti-drug police squad, to dismantle a huge network that operates across Asia. The key for their success will be a drug lord named Timmy (Louis Koo) who decided to cooperate to avoid death sentence, after has been arrested. Well structured, the story flows coherently and is characterized for a dynamic pace, punctuated by one or two sporadic slowdowns that didn’t change my interest in the story. In addition to its fierce shootings and car maneuvers, which will put the action genre fans in ecstasy, there were some moments of good humor that helped turning “Drug War” in an easy-watching movie. Its major strengths were the simplicity and effectiveness of processes, without trying to stand out through unrealistic action scenes. To’s long time collaborator and partner in his Milky Way Production Company, Wai Ka-fai, co-produced and co-wrote, contributing to create a fruitful action flick. It simply became Johnnie To's most interesting film in years.

The Grandmaster (2013)

The Grandmaster (2013)
Directed by: Wong Kar-Wai
Country: China / Hong Kong / France

Review: Cult filmmaker Wong Kar-Wai is back, bringing with him Tony Leung and Ziyi Zhang as stars. We cannot find many movies with the elegance and passion of “In The Mood For Love”, but “The Grandmaster” brings to our mind some of its best moments, adopting the same poetic approach to depict another impossible love. The novelty here is the addition of some action through martial arts, since the story was inspired in Yip Man’s life, the kung-fu master who would come to teach the legendary Bruce Lee. The film covers three different periods: 1930’s Foshan in China where he was recognized as a master, the difficult life in Hong Kong after the Japanese invasion, and finally from 1952 till his death in 1972. We also get to know the sad fate of Gong Er, a master's daughter who became secretly in love with Yip Man after a challenging fight. Kar-Wai’s camera work remains very strong where the richness of the plans and aesthetical care were crucial to catch our eye. To tell the truth, the visual aspect was much stronger than the story itself, which despite being interesting didn’t reveal the mystique of previous adventures. “The Grandmaster”, not being a masterpiece, is a sumptuous accomplishment that puts together a dissimulated love, revenge, sacrifice, and martial arts in the form of floating dances (preferably in the rain).

Back To 1942 (2012)

Back To 1942 (2012)
Directed: Xiaogang Feng
Country: China

Review: On the winter of 1942, when China was being invaded by Japan, a drought hit the province of Henan leading the people to starvation. A sensible question then arises: who should be fed in the first place, the soldiers or the people? The film partially succeeds in its purpose of revealing the drama of the refugees, as well as the impassivity and disregard of the Chiang Kai-shek government. Corruption was a constant, while religion is present in a small dose, with the converting attempts and faith dilemmas becoming the weakest moments of the plot. Adrien Brody plays a small part, hardly memorable, as a journalist from Times Magazine. Photography stood out, in a 145-minute high-budget production that would have gained with some trimming. Even flawed, Feng’s new historical film was far more interesting than “The Flowers of War” or “The Children of Huang Shi”.

Vulgaria (2012)

Vulgaria (2012)
Directed by: Pang Ho-Cheung
Country: Hong Kong

Review: 2012 wasn’t a year of much inspiration for Taiwanese filmmaker Pang Ho-Cheung. After a sloppy “Love in The Buff”, “Vulgaria” was another missed shot on comedy. The first moments had some interest, with a controversial interview given by an experienced film producer in front of students. But suddenly, the movie changed to imbecilic jokes about masturbation techniques, popping candy blow-jobs or sex with animals, all with a cynical silliness that got me bored very quickly. Family problems and Mafia connections were also introduced as mere pretexts to deflect our attention from the uninteresting sexual adventures of producer To Wai-Cheung. “Vulgaria”, as the title suggests, is nothing more than a vulgar movie.

Love In The Buff (2012)

Directed by: Pang Ho-Cheung
Country: China / Hong Kong

Review: “Love in The Buff” is the sequel of “Love in the Puff” from 2010. Cherie and Jimmy continue the struggle to make their relationship endure, but eventually they break up to meet once again in Beijing in unexpected circumstances. Starting all over again, will bring them the same problems as before, with the big decisions being reserved to the end. The movie unevenly stands between the light comedy and the sentimental drama, depicting how inattentive behaviors can ruin a relationship. The romantic side was watchable and with the right balance could have been much better, while the comic side was a complete failure. Using some cheesy scenes, uninspired jokes and an awful karaoke moment, this is a movie with too much ups and downs to be considered solid or interesting.

11 Flowers (2011)

11 flowers (2011)
Directed by: Wang Xiaoshuai
Country: China / France

Review: Wang Xiaoshuai is associated with the sixth generation of Chinese filmmakers, also working as actor, screenwriter and producer. “Beijing Bycicle”(2001), his better-known work, was an international success and “11 Flowers” has everything to follow the same steps. The story consists of childhood recollections of Wang Han during the years of Cultural Revolution in China. Beautiful details are shown under the communist party’s revolutionary songs, denoting significant aptitude for image composition. The recreation of childhood is attractively accurate (the children’s activities or the struggle of Wang Han to have a new shirt for school), without leaving aside the political criticism and social considerations of those years. This is a powerful and sensitive film.

Flying Swords of Dragon Gate (2011)

Directed by: Tsui Hark
Country: China

Plot: Set three years after Dragon Inn, innkeeper Jade has disappeared and a new inn has risen from the ashes.
Review: Tsui Hark is a respected chinese director, who usually combines entertaining storytelling, fantastic imagery and frantic action mostly based on martial arts. His last movie, however doesn't show much consistency in the plot. The huge number of characters make the viewer's job harder and only increase the mess of the story. I am convinced that Hark's only concern was to provide us with frantic action and computer manipulated imagery. Completely dispensable, "Flying Swords of Dragon Gate" is a step back when compared with 2010's "Detective Dee".
Relevant awards: -

Sacrifice (2010)

Directed by: Chen Kaige
Country: China

Plot: To save the only child of the Zhao Family, whose entire clan was massacred, a doctor sacrifices his own son.
Review: Ones who are familiar with previous works by Chen Kaige, must be aware of his capabilities. “Farewell, My Concubine”, “The Emperor and The Assassin” or “Life on a String” will be remembered as top quality movies in its genre. “Sacrifice” is a typical Kaiges’s film. As usual, the importance of costume designs, characterization and appropriate scenarios, are well weighted. The weakness here is the plot, which is not so rich or appealing as in some earlier works. Lovers of the genre will be pleased with the action's effects, while the others can just take a look to pass some time. I may say that its purposes were achieved with competence.
Relevant awards: -

I Wish I Knew (2010)

Directed by: Jia Zhang Ke
Country: China

Plot: Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.
Review: Jia Zhang Ke continues his brilliant career with another elucidating documentary, which happens to be a tribute to Shanghai. We have an historical and political lesson about this city by listen to the testimonials of known personalities, most of them related to cinema. Sometimes it can become a bit confusing, especially if we are not familiarized with the Shanghai’s history, but Zhang Ke had the wit to fascinate us with superbly composed frames of desolated and abandoned landscapes, just as he already did in “Still Life”(2006) or “24 City”(2008).
Relevant awards: Best documentary (Dubai).

A Simple Life (2011)

Directed by: Ann Hui
Country: China

Plot: After suffering a stroke, an altruistic maid announces that she wants to quit her job and move into an old people's home.
Review: “A simple life” is a beautiful story. Beyond the concept of family, this is a movie about real life in a very tender way. After watching this movie, I felt uncomfortable by thinking about getting old. It’s scary to imagine how will be our last days. In a movie without many tension or dynamic moments, director Ann Hui did a great job, getting the right balance to avoid viewer’s distraction. A powerful human story with a huge meaningful message is something to praise.
Relevant awards: Honorable mention and best actress (Venice); grand prize (Tallin); best director (Golden Film Fest., Taiwan).

The Flowers of War (2011)

Directed by: Zhang Yimou
Country: China

Plot: A Westerner finds refuge with a group of women in a church during Japan's rape of Nanking in 1937. Posing as a priest, he attempts to lead the women to safety.
Quick comment: I thought something decent would come out of this, regarding the career of director Zhang Yimou and actor Christian Bale. But I was completely wrong. It stands ridiculously out of reality and should be shortened for at least 1 hour. So my advice is: don’t waste your time on this. Instead I would recommend "city of life and death"(2009) which deals with the same subject.
Relevant Awards: -

Detective Dee (2010)

Realizado por: Tsui Hark
País: China

Antes da coroação da imperatriz Wu, uma série de mortes ocorrem em condições muito estranhas. As vítimas começam a arder quando encontram a luz do sol, devido à ingestão de veneno. Para descobrir o responsável, a imperatriz ordena que tragam do exílio o detective Dee, que por entre transfigurações, traições e engenho mental, irá tentar resolver o caso. Filme de aventuras com mistério, fantasia e muita acção. Tsui Hark é mestre neste género e se o filme não nos ocupa muito a mente, ocupa com certeza os nossos olhos, pois no aspecto visual é bem conseguido.

City of Life and Death (2009)

Realizado por: Chuan Lu
País: China

Imagens poderosas a preto-e-branco, frias e perturbadoras, fazem com que este filme seja muito difícil de esquecer. Baseado no massacre da cidade de Nanking, quando os japoneses invadiram a China no final dos anos 30, revela as atrocidades cometidas pelas tropas japonesas quando não respeitaram a "zona de protecção" destinada aos refugiados e soldados enfermos. Milhares de mortos e centenas de mulheres violentadas, foi o balanço destes actos, que deixaram marcas psicológicas para a vida, tanto nos dominados como nos dominadores.

Ocean Heaven (2010)

Realizado por: Xiao Lu Xue
País: China

O actor Jet Li deixa os socos e pontapés para experienciar pela primeira vez um papel dramático. Interpretando um homem viúvo com uma doença terminal, terá problemas em encontrar um local adequado para deixar o seu filho autista, após a sua morte. Exercício sentimental e lamecha quanto baste (basta ouvir a banda sonora), é um filme que não nos surpreende nem deixa saudades, até porque o autismo é um tema extremamente bem retratado noutras obras de maior inspiração (“rain man”, “temple grandin”). A interpretação de Wen Zhang como autista é dos únicos pontos fortes do filme.