The Life of Chuck (2025)

Direction: Mike Flanagan
Country: USA 

Adapted from a Stephen King’s short story, Mike Flanagan’s The Life of Chuck shows a genuine interest in its profound themes, emerging as a funny, uncynical, and humanist apocalyptic comedy-drama with a beautiful message. The film is divided into three parts, each exploring a different period in Chuck's life, with distinct aesthetics, tone, and aspect ratio. Told in reverse order, the story is structurally triumphant, channeling Jordan Peele, Damien Chazelle, and Frank Capra, as the initial apocalyptic section gives way to a jubilant five-minute dance scene followed by a moving coming-of-age drama.

Tom Hiddleston (Archipelago, 2010; Thor: Ragnarok, 2017) stands out from the cast, delivering a magnetic performance full of charisma, while Flanagan handles it all in a disarmingly compelling way. With tact, tenderness, and a contagious sense of rhythm, The Life of Chuck has that rare ability to root itself in the viewer’s mind, gracefully alternating between levity and emotional weight, and embracing the importance—and power—of living life to its fullest.

Despite some classicism in the staging, the film never weakens because the story is truly special. It’s a lusciously gentle journey through a life of a common man, evoking familiar tones while offering its own distinctive touch.

A Quiet Place: Day One (2024)

Direction: Michael Sarnoski
Country: USA

A Quiet Place: Day One, the third installment in the A Quiet Place film series, is a patchy and uninspired apocalyptic horror film that functions as both a prequel and a spin-off. Written and directed by Michael Sarnoski (Pig, 2021), the film fails to surpass the intrigue of the two previous films directed by John Krasinski.

This early chapter follows the journey of two survivors in a silenced New York: Samira (Lupita Nyong'o), a courageous, terminally ill woman craving pizza, and Eric (Joseph Quinn), a terrified British law student who never takes off his tie. Amidst the chaos, the real hero turns out to be Samira’s intelligent and surprisingly quiet cat.

Overall, the film offers too little and nothing new, with Sarnoski overly confident that style can substitute for substance. For the most part, the film is just a tired tread through the usual elements. It is well-produced, acceptably performed, and features decent special effects packing in some impressive dystopian imagery. However, we’ve seen it all before. There’s no reason to stay invested in something so uninventive. A Quiet Place: Day One is nothing but a dull apocalyptic routine that doesn’t pay off.