Between the Temples (2024)

Direction: Nathan Silver
Country: USA

Directed and co-written by Nathan Silver, the comedy-drama Between the Temples strives to be quirky and offbeat, but ultimately misses the mark. Starring Jason Schwartzman and Carol Kane, the film is staged with a bunch of embarrassments that feel more flat than profound. 

The story revolves around Benjamin Gottlieb (Schwartzman), a 40-year-old kosher cantor struggling to cope with the death of his wife. He finds a glimmer of hope in Carla Kessler (Kane), his former music teacher, whom he agrees to help prepare for a late-in-life bat mitzvah. 

While the premise holds promise, the execution falters. The film never finds its rhythm, frequently losing momentum just when it should be gaining traction. Lacking the wit and style it aspires to, Between the Temples tries to inject energy into situations that implode under the weight of its own excessive pressure. 

Despite satisfactory performances from Schwartzman and Kane, the result is disappointingly televisual, culminating in a bewildering climax, full of emotional swings, that is the opposite of a knockoff. Not much in the material stimulates, and the film, sloppily rendered and off-punttingly screwy, doesn’t leave an impression.

Asteroid City (2023)

Direction: Wes Anderson
Country: USA 

Directed by Wes Anderson, Asteroid City blends romance, sci-fi, western, and comedy in an offbeat manner, but stumbles on a few metaphysical questions - death, human existence, the extraterrestrial - that leave us adrift. The bits and pieces of this uninspired chamber film are choppily assembled, with clumsy dialogue serving as a makeshift bridge for passionless scenes fabricated with an enforced mood and drowsy vibes. Here, everything is artificial, including the scenario. 

Anderson and his regular collaborator, the screenwriter Roman Copolla, worked together for the fifth time, drawing inspiration from films by Robert Altman, John Sturges and Paul Newman. The year is 1955. Days after the death of his wife, the confident photojournalist Augie Steenbeck (Jason Schwartzman) begins a romance with the unenthusiastic actress Midge Campbell (Scarlett Johansson). He doesn’t get along with his father-in-law, Stanley Zak (Tom Hanks), and is proud of his shy little genius son, Woodrow (Jake Ryan), a Junior Stargazer winner. All these and other characters, along with all their moves, are products of the mind of Conrad Earp (Edward Norton), a renowned playwright.

With a convoluted scrip, fatuous characters, and obtuse comedic tones trailing off into alien-invasion nonsense, no dream cast could succeed in turning this fabrication into a hip and funny cinematic experience. Both its surface and essence are phony but, worse than that, is the movie’s inability to offer any insight about anything. Asteroid City is equal parts tackiness and boredom. As a result, I urge you to avoid being quarantined by this desert of ideas.